Super Bowl through the years: Off the field with AP photographers

The Associated Press has covered every Super Bowl since the first in 1967. Here’s a look at AP photographers, editors and technicians at work covering football’s biggest contest through the years.


As recently as the early 1990s, photographers were still “souping” film in makeshift darkrooms at the stadium. Transmitting a single color photo over phone lines from the big game took about a half-hour per photo. But the introduction of digital cameras and transmitters in the mid-1990s changed that, saving time and eventually improving technical quality.

Boston-based photographer Elise Amendola on the field during the NFL Super Bowl XX football game Jan. 26, 1986 in New Orleans. (AP Photo/Amy Sancetta)

Boston-based photographer Elise Amendola on the field during the NFL Super Bowl XX football game Jan. 26, 1986 in New Orleans. (AP Photo/Amy Sancetta)

From front, photographers Spencer Jones, Rob Kozloff, Claudia Counts and Brian Horton work from a trailer for the NFL Super Bowl XXV football game in Tampa, January 1991. (AP Corporate Archives photo)

From front, photo editors Spencer Jones, Rob Kozloff, Claudia Counts and Brian Horton work from a trailer for the NFL Super Bowl XXV football game in Tampa, January 1991. (AP Corporate Archives photo)

Photographers Mark Humphrey, foreground, of Nashville and Cliff Schiappa of Kansas City work at Leafax negative transmitters, sending photos from a trailer for the NFL Super Bowl XXV football game in Tampa, January 1991. (AP Corporate Archives photo)

Photographers Mark Humphrey, foreground, of Nashville and Cliff Schiappa of Kansas City work at Leafax negative transmitters, sending photos from a trailer for the NFL Super Bowl XXV football game in Tampa, January 1991. (AP Corporate Archives photo)

Regional Photo Editor Melissa Einberg at the NFL Super Bowl XXXV in Tampa, Jan. 28, 2001. (AP Photo/Mark Duncan)

Regional Photo Editor Melissa Einberg at the NFL Super Bowl XXXV football game in Tampa, Jan. 28, 2001. (AP Photo/Mark Duncan)

Photo editor Brian Horton at the NFL Super Bowl XXXV in Tampa, Jan. 28, 2001. (AP Photo/Mark Duncan)

Photo editor Brian Horton at the NFL Super Bowl XXXV football game in Tampa, Jan. 28, 2001. (AP Photo/Mark Duncan)

Photographer Doug Mills, center, at the NFL Super Bowl XXXVI in New Orleans, Feb. 3, 2002. (AP Photo/Mark Duncan)

Photographer Doug Mills, center, at the NFL Super Bowl XXXVI football game in New Orleans, Feb. 3, 2002. (AP Photo/Mark Duncan)

Photo News Editor Stephanie Mullen, left, and photographer Ric Feld walk to the Superdome in New Orleans for NFL Super Bowl XXXVI, Feb. 3, 2002. (AP Photo/Mark Duncan)

Photo News Editor Stephanie Mullen, left, and photographer Ric Feld walk to the Superdome in New Orleans for NFL Super Bowl XXXVI football game, Feb. 3, 2002. (AP Photo/Mark Duncan)

Boston-based photographer Elise Amendola prepares to make pictures of the trophy presentation to the Tampa Bay Bucs in NFL Super Bowl XXXVII football game Jan. 26, 2003 in San Diego, California. Amendola is wearing a backpack with a small laptop for transmitting  images to the AP photo trailer. (AP Photo/Amy Sancetta)

Boston-based photographer Elise Amendola prepares to make pictures of the trophy presentation to the Tampa Bay Bucs in NFL Super Bowl XXXVII football game Jan. 26, 2003 in San Diego, California. Amendola is wearing a backpack with a small laptop for transmitting images to the AP photo trailer. (AP Photo/Amy Sancetta)

National Enterprise photographer Amy Sancetta uses a mini-disk recorder to collect audio from Tampa Bay head coach Jon Gruden's press conference before the NFL Super Bowl XXXVII football game Jan. 23 ,2003 in San Diego, California.

National Enterprise photographer Amy Sancetta uses a mini-disk recorder to collect audio from Tampa Bay head coach Jon Gruden’s press conference before the NFL Super Bowl XXXVII football game Jan. 23, 2003 in San Diego, California. (AP Photo)

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Seattle-based photographer Elaine Thompson on the field following the NFL Super Bowl XXXVII football game Jan. 23, 2003 in San Diego, California. (AP Photo/Amy Sancetta)

Sometimes the Super Bowl presents AP staff, who are brought together from around the U.S. to cover the game, the opportunity for a reunion. Certain traditions, like the deep frying of a turkey by the late photographer Dave Martin, provide staff a moment of respite and a chance to reconvene.

Photographer and South Regional Editor Dave Martin, center, deep fries a turkey outside the AP photo trailer at the Super Bowl in Detroit, Sunday, Feb. 5, 2006. Standing to the left of Martin is Global Photo Operations Manager Tim Donnelly. It had become a tradition for Martin to deep fry turkeys at major events for the enjoyment of AP staff and other journalists. Martin died after collapsing on the Georgia Dome field while covering the Chick-fil-A Bowl in Atlanta, Jan. 1, 2014. (AP Photo/Cliff Schiappa)

South Regional Photo Editor Dave Martin, right, deep fries a turkey outside the AP photo trailer at the Super Bowl in Detroit, Sunday, Feb. 5, 2006. Standing to the left of Martin is Global Photo Operations Manager Tim Donnelly. It had become a tradition for Martin to deep fry turkeys at major events for the enjoyment of AP staff and other journalists. Martin died after collapsing on the Georgia Dome field while covering the Chick-fil-A Bowl in Atlanta, Jan. 1, 2014. (AP Photo/Cliff Schiappa)

Indianapolis-based photographer Mike Conroy on the field at the start of the NFL Super Bowl XL Feb. 5, 2006 in Detroit, Michigan. (AP Photo/Amy Sancetta)

Indianapolis-based photographer Mike Conroy on the field at the start of the NFL Super Bowl XL Feb. 5, 2006 in Detroit, Michigan. (AP Photo/Amy Sancetta)

Global Photo Operations Manager Tim Donnelly, right, checks St. Louis-based photographer Jeff Roberson's transmitting device on the field following the NFL Super Bowl XLI Feb. 4, 2007 in Miami, Florida. (AP Photo/Amy Sancetta)

Global Photo Operations Manager Tim Donnelly, right, checks St. Louis-based photographer Jeff Roberson’s transmitting device on the field following the NFL Super Bowl XLI Feb. 4, 2007 in Miami, Florida. (AP Photo/Amy Sancetta)

During 2013’s Super Bowl XLVII in New Orleans, the Baltimore Ravens were leading the San Francisco 49ers 28-6 when most of the lights in the 73,000-seat Superdome went out in the third quarter. While fans and players waited for the stadium to regain power, AP reporters and editors relied on AP generators and jet packs with Wi-Fi hotspots to continue covering the night’s events.

Deputy Director of Photography Denis Paquin, front left, and colleagues edit during the Super Bowl blackout, Sunday, Feb. 3, 2013, at the Superdome in New Orleans. (AP Photo/ Julie Jacobson)

Deputy Director of Photography Denis Paquin, front left, and colleagues edit during the Super Bowl blackout, Sunday, Feb. 3, 2013, at the Superdome in New Orleans. (AP Photo/ Julie Jacobson)

Washington Assistant Chief of Bureau David Ake edits during the Super Bowl blackout, Sunday, Feb. 3, 2013, at the Superdome in New Orleans. (AP Photo/Julie Jacobson)

Washington Assistant Chief of Bureau David Ake edits during the Super Bowl blackout, Sunday, Feb. 3, 2013, at the Superdome in New Orleans. (AP Photo/Julie Jacobson)

Photographers Matt Slocum, left, and Mark Humphrey, right, in red, covering Denver Broncos Peyton Manning during media day for the NFL Super Bowl XLVIII football game Tuesday, Jan. 28, 2014, in Newark, N.J. (AP Photo/Charlie Riedel)

Photographers Matt Slocum, left, and Mark Humphrey, right, in red, cover Denver Broncos Peyton Manning during media day for the NFL Super Bowl XLVIII football game, Tuesday, Jan. 28, 2014, in Newark, N.J. (AP Photo/Charlie Riedel)

Technology specialist Jorge Nunez, far left, watches as Global Photo Operations Manager Tim Donnelly and Houston-based photographer David Phillip, right, install a robotic camera on the catwalk in preparation for Super Bowl XLIX, Saturday, Jan. 24, 2015. (Photo by Denis Paquin)

Technology specialist Jorge Nunez, far left, watches as Global Photo Operations Manager Tim Donnelly and Houston-based photographer David Phillip, right, install a robotic camera on the catwalk in preparation for the NFL Super Bowl XLIX football game, Saturday, Jan. 24, 2015. (AP Photo/Denis Paquin)

Photographers David Phillip, left, and Morry Gash work on a robotic camera in preparation for for Super Bowl XLIX, Saturday, Jan. 24, 2015. (Photo by Denis Paquin)

Photographers David Phillip, left, and Morry Gash work on a robotic camera in preparation for the NFL Super Bowl XLIX football game, Saturday, Jan. 24, 2015. (AP Photo/Denis Paquin)

Photographer Charlie Riedel shown during  Super Bowl XLIX Media Day at the U.S. Airways Arena in Phoenix, Ariz., Tuesday, Jan. 27, 2015. (AP Photo/Carolyn Kazdan)

Photographer Charlie Riedel takes photos of New England Patriots quarterback Tom Brady (not pictured) using a camera attached to a monopod during the NFL Super Bowl XLIX Media Day at the U.S. Airways Arena in Phoenix, Ariz., Tuesday, Jan. 27, 2015. (AP Photo/Carolyn Kazdan)

Photographer Charlie Riedel takes photos from the stands during the NFL Super Bowl XLIX Media Day at the U.S Airways Arena in Phoenix, Ariz., Tuesday, Jan. 27, 2015. (AP Photo/Carolyn Kazdan)

Photographer Charlie Riedel takes photos from the stands during the NFL Super Bowl XLIX Media Day at the U.S Airways Arena in Phoenix, Ariz., Tuesday, Jan. 27, 2015. (AP Photo/Carolyn Kazdan)

In recognition of the game’s rich history, AP is hosting a photo exhibit of its Super Bowl game coverage. “Super Moments, Superstars, Super Game—An Associated Press Exhibit” is on display at Gallery Glendale, 9830 W. Westgate Blvd., in Glendale, Arizona, until Feb. 1.

AP statement on Mueller report

AP Executive Editor Kathleen Carroll offered the following statement in response to a report from former FBI Director Robert S. Mueller III, who was hired by the NFL to investigate how the league pursued evidence in the Ray Rice abuse case:

“We have reviewed the report and stand by our original reporting.

“The Mueller team did ask us for source material and other newsgathering information, but we declined. Everything that we report and confirm goes into our stories. We do not offer up reporters’ notes and sources.”

Read the AP news story.

On the Brazil beat: AP covers the World Cup

As the excitement of the World Cup unfolds across Brazil, AP journalists are covering the action in text, video and photos for an array of customers around the world.

“The AP journalists and technicians on the ground have been unflagging in their mission to tell the whole story of this tournament,” said AP Vice President and Managing Editor Lou Ferrara. “Beyond our vibrant coverage of every match, they’ve been providing crucial context and unique perspectives on the political and cultural aspects of this global event.”

From street protests to rain-soaked press conferences to the stadium sidelines, here are a few highlights of the AP team at work on the Brazil beat.

For World Cup news, download the AP Mobile app or follow AP on Twitter and Facebook.

What does it take to cover big-time sports?

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AP Vice President and Managing Editor Lou Ferrara

So you want to be a sports writer? Start with a hunger for news.

That was the message AP Vice President and Managing Editor Lou Ferrara delivered to aspiring journalists gathered at the College Media Association’s Spring National Convention in New York on Thursday.

Ferrara, fresh from leading AP’s coverage of the Winter Olympics, stressed the importance of strong newsgathering skills and explained how news reporting underpins stories from the slopes and the skating rink:

“When I look in the very near past at the Sochi games, the sports and events themselves were almost a backdrop to the bigger story. Russia. Vladimir Putin. Security. Pussy Riot. Gay rights. Construction problems. Ukraine. And then there were other threads that got more attention than the game stories we wrote: Accessibility for the disabled. A worker hit by a bobsled. A malfunctioning Olympic ring that the world saw but Russians did not. How the IOC restricts athlete endorsements during the games. Or, how social media is part of the fabric of an Olympian’s celebrity.”

Ferrara also highlighted the accomplishments of a number of AP journalists, including a Texas Statehouse reporter who has carved out a niche beat covering Lance Armstrong (though he’s never gone to the Tour de France), a London-based sports editor who regularly breaks news about the International Olympic Committee and a sports writer covering Penn State who ensured AP was the first news agency to accurately report when Joe Paterno had died.

As a manager, Ferrara said he’s looking for smart reporters “who can identify a news story when they see it happening around the sport they are covering.”

Read his full remarks, including tips for being the next great sports writer, on the Poynter Institute’s website.

Behind the Sochi scene with AP

As the excitement of the Winter Games unfolds, AP journalists are providing breaking news and images and crucial context for customers around the world.

“The AP team has been tireless,” AP Vice President and Managing Editor Lou Ferrara said from Sochi. “They aren’t just covering the games — they are telling stories that no one else has, with a global perspective and in video, text, audio and stunning photos. Credit goes to the AP journalists and the technology team.”

From laying cable on snowy mountains and testing remote cameras to securing exclusive interviews and capturing iconic moments, here are a few highlights of AP reporters, editors, visual journalists and technicians at work behind the Sochi scene:

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  • With the threat of terrorism looming over the games, authorities said they would clamp down on travelers being able to bring liquids into Russia. Karl Ritter, Stockholm bureau chief working at the Olympics, kept AP ahead of the competition with a story about how easy it was to bring banned carry-on items into Sochi.
  • Despite complaints of stray dogs and unfinished hotels, AP’s Jim Heintz, a Westerner who’s lived in Russia for 15 years, concluded that the games reveal “some promising signs for the country.”
  • When a glitch caused one of the Olympic rings not to open during the opening ceremony Moscow business reporter Nataliya Vasilyeva quickly confirmed that Russian TV viewers saw a rehearsal reel that showed all of the rings working – not the glitch witnessed by the stadium crowd.
  • And David Goldman, an AP photographer based in Atlanta, was a pool photographer in the VIP room with Russian President Vladimir Putin when it happened. What did Putin see? It turns out, he didn’t see the problem either, as AP was first to determine from Goldman’s images.

Follow AP staff at the Olympics in Sochi on this Twitter list and learn more about AP’s coverage in this video with Global Sports Editor Michael Giarrusso.

Pinning hopes on Olympic metal?

AP souvenir pins for the 2014 Sochi Olympics.

AP souvenir pins for the 2014 Sochi Olympics.

AP souvenir Olympic pins from years past.

AP souvenir Olympic pins from years past. (Photo courtesy AP Corporate Archives)

Pin trading at the Olympics is always an event as popular as any spectator sport. The small, colorful souvenirs are created by corporations, countries and media organizations, such as The Associated Press, and swapped and collected by athletes and fans, alike.

AP Olympic pins from years past (AP photo)

AP Olympic pins from years past (Photo courtesy AP Corporate Archives)

Designed by AP’s Creative Services team, this year’s set of four pins depicts silhouettes of athletes in bobsledding, snowboarding, hockey and figure skating.

AP-branded Olympic pins were created as far back as the 1984 Summer Games in Los Angeles, though AP has been covering the games for more than 100 years.

A limited supply of AP Sochi 2014 pins are available for $15 a set via www.apessentials.com.

Proceeds benefit the AP Emergency Relief Fund, which provides financial assistance to AP staff impacted by disaster around the world.

People trade Olympic pins at a pin trading site in Vancouver, British Columbia, Wednesday, Feb. 17, 2010. (AP Photo/Jae C. Hong)

People trade Olympic pins at a pin trading site in Vancouver, British Columbia, Wednesday, Feb. 17, 2010. (AP Photo/Jae C. Hong)

Giarrusso to lead AP sports coverage

Michael Giarrusso

AP Global Sports Editor Michael Giarrusso (AP photo)

Today marks 100 days until the 2014 winter Olympics kick off in Sochi, Russia, and AP has named a new global sports editor to lead coverage of the games and other major events in the coming months, including the Super Bowl outside New York and the World Cup in Brazil.

Russia Sochi Olympics

In this Monday, Oct. 28, 2013 photo, workers are fixing the Olympic emblem at an entrance to the railway station of Russia’s Black Sea resort of Sochi, Russia. Russia starts 100 day count down on Tuesday, Oct. 29, 2013 for the 2014 Winter Olympic Games. (AP Photo/Lesya Polyakova)

In his new role, Michael Giarrusso, a former AP sports writer, news editor and state news executive, will oversee more than 100 journalists around the world and ensure that AP remains the leader in breaking sports news across formats.

What’s Giarrusso most looking forward to?

“People are consuming more sports news than they ever have before,” Giarrusso said, in newspapers and on television, smartphones and tablets. “AP sports is perfectly positioned to deliver any type of content to readers, members and customers at a moment’s notice.”

He added: “It’s so exciting to be leading this team of great journalists, and I’m honored.”

AP is already busy covering the countdown to the games, with stories on the athletes, the apparel, the politics and more.

Read more about Giarrusso and follow him on Twitter at @MichaelG1.