AP calls for greater White House access in New York Times op-ed

UPDATED: Dec. 11, 2013

Santiago Lyon, AP vice president and director of photography, wrote this opinion piece published in The New York Times: Obama’s Orwellian Image Control.
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Nov. 21, 2013

The Associated Press today reiterated its call for greater access to President Barack Obama for photographers who cover the White House.

“Journalists are routinely being denied the right to photograph or videotape the President while he is performing his official duties,” said a letter delivered today to White House Press Secretary Jay Carney that was signed by AP and many other news organizations. “As surely as if they were placing a hand over a journalist’s camera lens, officials in this administration are blocking the public from having an independent view of important functions of the Executive Branch of government.”

The letter echoed concerns raised by AP since President Obama’s first days in office in 2009.

AP Vice President and Director of Photography Santiago Lyon underscored key points in the dispute:

AP Vice President and Director of Photography Santiago Lyon

AP Vice President and Director of Photography Santiago Lyon

What is The AP seeking?
The AP and other media organizations are seeking more regular photo access to the President in the Oval Office and elsewhere as he performs official duties or meets with staff. While photographers are granted some access to Oval Office meetings and other activities, it has decreased markedly under the Obama administration when compared to previous presidents. We believe we should have access to a wider selection of presidential events where we know access to be possible.

Don’t we already see photos of these occasions?
A small group of photographers and a videographer, collectively known as the “travel pool,” enjoys some access to the Oval Office and other presidential activities but increasingly the Obama administration labels events as “private” before then releasing official photos shot by White House photographers such as Pete Souza.

These images are posted on the White House Flickr page — http://www.flickr.com/photos/whitehouse — where they are available for free.

This July 1, 2013, screen grab from the Twitter Page of the official White House photographer, Pete Souza, shows a tweet featuring an image of President Barack Obama and his family listening to a tour guide inside Nelson Mandela's cell on Robben Island on June 30, 2013, in Cape Town, South Africa. The White House barred press photographers from this portion of the tour saying it was private, but then released their own photos of from Mandela's cell. (AP Photo/The White House)

This July 1, 2013, screen grab from the Twitter Page of the official White House photographer, Pete Souza, shows a tweet featuring an image of President Barack Obama and his family listening to a tour guide inside Nelson Mandela’s cell on Robben Island on June 30, 2013, in Cape Town, South Africa. The White House barred press photographers from this portion of the tour saying it was private, but then released their own photos of from Mandela’s cell. (AP Photo/The White House)

The photos on that page are visual press releases and are carefully vetted by administration employees before distribution. Such images are increasingly offered to the media by the White House in lieu of real journalistic access and we and other media organizations find this unacceptable. Media organizations generally do not reproduce written press releases verbatim, so why should we settle for these official images?

What sort of situations have the media been excluded from?
The media were prevented from documenting the President’s first day on the job – surely an historic occasion. In addition, we have been denied access to legislation being signed as well as notable foreign leaders and other visitors of interest, such as the Pakistani student activist Malala Yousafzai. In fact, since 2010 we have only been granted access to the President alone in the Oval Office on two occasions, once in 2009 and again in 2010. We have never been granted access to the President at work in the Oval Office accompanied by his staff. Previous administration regularly granted such access.

And AP isn’t the only news organization with this complaint?
The AP joined with numerous other news organizations, including all the major television networks, as well as media umbrella organizations such as APME, ASNE and the White House Correspondents’ Association to protest this diminished access in a letter to White House Press Secretary Jay Carney. In that letter we also requested a meeting with Mr. Carney to discuss the issue.

Hasn’t the AP used White House photos in the past?
We recognize that certain areas of the White House are off-limits to the media because they are secure or private areas, such as the President’s living quarters. On those occasions where something newsworthy or notable happens in these areas we sometimes distribute the official photos. Each such scenario is considered on a case-by-case basis. To be clear – we are asking to be allowed consistent, independent access into the room when the President signs legislation, greets visitors of note, or otherwise discharges his public duties.

Read a PDF of the letter to Carney.

Q&A: Uncovering the dirty cost of green energy

The Associated Press today published a major investigative report by Washington bureau journalists Dina Cappiello and Matt Apuzzo showing that the ethanol era has proved far more damaging to the environment than the government has acknowledged.

As farmers rushed to find new places to plant corn, they touched off a cascade of unintended consequences, including wiping out millions of acres of conservation land, polluting water and destroying habitat.

Ted Bridis

Ted Bridis

Here, Ted Bridis, the lead editor on the months-long investigation, describes what went into reporting the hidden, dirty cost of this green energy source:

What prompted AP to explore the topic of ethanol?
This year, among other stories, the Washington investigative team has been exploring some of the little-known costs and consequences of green energy. This project developed out of reporting by and conversations with Dina Cappiello, our excellent environmental reporter, who was “loaned” to our investigations team in the newsroom away from her everyday specialty beat responsibilities to work on some longer-term reporting efforts.

What were the most striking findings?
We were able to conservatively quantify how many acres farmers had set aside for conservation purposes but, driven in part by Washington’s biofuels mandate, had been converted to crops. The figure was at least five million acres _ more than Yellowstone, Everglades and Yosemite National Parks combined _ that have vanished on President Barack Obama’s watch.

We also conducted by computer a satellite-imagery analysis to show how many more acres of pristine grassland in the Corn Belt had been plowed into cornfields or soybeans since 2006, the year before the ethanol mandate passed. Insiders revealed to our reporters how the government’s analysis of ethanol’s carbon dioxide footprint was flawed and influenced by input from the industry. But in many ways no one in government is keeping track of its environmental toll.  

I also think one of our findings was how friendly and accommodating we found farmers and others in the Midwest when our journalists visited and explained the story we were investigating; many farmers, especially, explained they were genuinely conflicted by economic forces, chasing corn profits at the expense of continued conservation.

What were the biggest challenges you faced in reporting this project?
The tale of U.S. ethanol policy is complicated for many different audiences: farmers, motorists, policy makers, politicians, environmentalists, farmers, scientists and others. Turning months of reporting about agricultural and energy policies, scores of interviews and hefty data analyses into a narrative that readers will find compelling and informative is always a challenge.

How did you draw on AP’s resources — around the world and in the 50 states — to do it?
This project represents the efforts of dozens of AP journalists, photographers, video producers, data experts, editors and others who helped in its production

See the AP reporting here, which includes companion photos, video and a detailed interactive. Join a conversation about the AP’s reporting on ethanol today at 3 p.m. ET on Reddit.

Giarrusso to lead AP sports coverage

Michael Giarrusso

AP Global Sports Editor Michael Giarrusso (AP photo)

Today marks 100 days until the 2014 winter Olympics kick off in Sochi, Russia, and AP has named a new global sports editor to lead coverage of the games and other major events in the coming months, including the Super Bowl outside New York and the World Cup in Brazil.

Russia Sochi Olympics

In this Monday, Oct. 28, 2013 photo, workers are fixing the Olympic emblem at an entrance to the railway station of Russia’s Black Sea resort of Sochi, Russia. Russia starts 100 day count down on Tuesday, Oct. 29, 2013 for the 2014 Winter Olympic Games. (AP Photo/Lesya Polyakova)

In his new role, Michael Giarrusso, a former AP sports writer, news editor and state news executive, will oversee more than 100 journalists around the world and ensure that AP remains the leader in breaking sports news across formats.

What’s Giarrusso most looking forward to?

“People are consuming more sports news than they ever have before,” Giarrusso said, in newspapers and on television, smartphones and tablets. “AP sports is perfectly positioned to deliver any type of content to readers, members and customers at a moment’s notice.”

He added: “It’s so exciting to be leading this team of great journalists, and I’m honored.”

AP is already busy covering the countdown to the games, with stories on the athletes, the apparel, the politics and more.

Read more about Giarrusso and follow him on Twitter at @MichaelG1.

Gallery opening celebrates debut of Vietnam photo book

Nick_Ut

AP photographer Nick Ut stands near his iconic picture of a 9-year-old running from a napalm attack.

Crowds of journalists, photographers, distinguished guests and members of the public packed into the Steven Kasher Gallery in New York Thursday night to view iconic and rarely seen images of the Vietnam War taken by Associated Press photographers.

The exhibit showcases some of the nearly 300 images included in a new photo history book, “Vietnam: The Real War” (Abrams; Oct. 1, 2013; 304 pages; 300 photographs; US $40.00/CAN $45.00/UK £25).

Crowd

Visitors view the AP exhibit at the Steven Kasher Gallery.

Writer Pete Hamill, who penned the book’s evocative introduction, and Pulitzer Prize-winning photographer Nick Ut, whose work is featured prominently in the book, were on hand to sign books at the reception. AP President and CEO Gary Pruitt, Tom Curley, former chief executive at AP, and Chairman of the Board Mary Junck were also in attendance.

The exhibit runs through Nov. 30. The gallery, located at 521 W. 23rd St. in New York, is open Tuesday to Saturday, 11 a.m. to 6 p.m.

AP is hosting other book-related events in Washington, D.C., at the Newseum on Saturday, Oct. 26, and next month in San Francisco.

AP Vietnam Photo Exhibit

Crowds attend the opening of the AP photo exhibit at the Steven Kasher Gallery (Photo by Sean Thompson)

AP Vietnam Photo Exhibit

Visitors crowd into the Steven Kasher Gallery to view the AP photo exhibit (Photo by Sean Thompson)

AP is your all access pass to New York Fashion Week

Iman

Iman is interviewed at New York Fashion Week, Wednesday, Sept. 4, 2013. (AP Nicole Evatt)

From the catwalk to the sidewalk, AP is your all access pass to New York Fashion Week, which runs through Sept. 12, and will be followed by events in London, Milan and Paris. Here’s a look at our multiformat coverage led by AP East Coast Entertainment & Lifestyles Editor Lisa Tolin and fashion writer Samantha Critchell:

-          AP will review and provide runway and celebrity photos from 60-plus shows.

-          Our journalists are producing 2 or more runway videos per day.

-          On Twitter, @AP_Fashion is providing color and the latest industry news.

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AP’s Jocelyn Noveck interviews model Heidi Klum at New York Fashion Week. (Photo by Nicole Evatt)

-          A new interactive feature highlights behind-the-scenes images shot via Instagram by AP journalists such as entertainment producer Nicole Evatt and photographer Richard Drew.

-          All of AP’s fashion week coverage is accessible via AP Mobile, the award-winning mobile app and photo collections are available via AP Images.

“AP is always looking for new and innovative ways to cover one of the industry’s most-watched and highly anticipated events,” Tolin said. “The @AP_Fashion Twitter account and the Instagram project complement our comprehensive coverage and allow us to bring fashion fans behind the scenes and into the front row. ”

AP photographers accept Pulitzer Prize for Syria coverage

Five Associated Press journalists accepted the Pulitzer Prize for breaking news photography at an awards ceremony at New York’s Columbia University on May 30.  It is the 51st Pulitzer for AP and the 31st for photography.

Earlier this week the team reflected on the challenges and risks of documenting the civil war in Syria.

See a slideshow of the winning images.

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From left are: Pakistan chief photographer Muhammed Muheisen, Manu Brabo of Spain, Narciso Contreras of Mexico, Rodrigo Abd of Peru and Gaza-based Khalil Hamra. (AP Photo/Richard Drew)

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From left are: Gaza-based Khalil Hamra, Rodrigo Abd of Peru, Pakistan chief photographer Muhammed Muheisen, Manu Brabo of Spain and Narciso Contreras of Mexico. (AP Photo/Richard Drew)

AP Pulitzer winners reflect on challenges, risks of covering Syria

The Associated Press journalists who won the Pulitzer Prize for breaking news photography come from vastly different backgrounds, but are united in their mission to document the civil war in Syria openly, fairly and accurately.

PulitzerPanel

From left, Santiago Lyon, Rodrigo Abd, Muhammed Muheisen, Khalil Hamra, Narciso Contreras, Manu Brabo and Manoocher Deghati.

The team of Rodrigo Abd, Manu Brabo, Narciso Contreras, Khalil Hamra and Muhammed Muheisen spoke candidly about their experiences, living conditions and the backstory of some of their powerful images at a panel discussion for staff at AP headquarters in New York ahead of the Pulitzer ceremony on May 30. They were joined by Middle East Regional Photo Editor Manoocher Deghati and AP Vice President and Director of Photography Santiago Lyon.

Abd, who is based in Lima, Peru, but is of Syrian descent, said “going back to his roots” to cover this story was sad, but important. “We don’t do this for awards. We believe in journalism and the impact we can have with pictures,” he said.

Speaking about the importance of getting their images out to the world, Muheisen said: “If this picture doesn’t go out, it didn’t happen.”

 See a slideshow of winning images.

AP photographer: For a moment, hope in devastation

AP Photographer Sue Ogrocki has worked in Oklahoma for more than 10 years where she has covered about a dozen tornadoes. She was at the elementary school destroyed by a tornado and saw rescuers pulling children out of the rubble, capturing the key images of the tragedy. This is her account of what she witnessed.

Watch AP news video.

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Follow the latest news from Oklahoma.

Former AP White House photographer honored for ‘Lifetime Achievement’

Former Associated Press Senior White House photographer Ron Edmonds is being honored by the White House News Photographers Association with its Lifetime Achievement Award. It will be presented at the 2013 “Eyes of History” annual awards gala on Saturday, May 11, at the Ritz-Carlton Hotel in Washington.

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President Barack Obama congratulates AP White House Photographer Ron Edmonds, with his wife Grace and daughter Ashley, upon his retirement from AP. (White House photo by Lawrence Jackson, July 30, 2009)

Edmonds is “the quintessential Washington photojournalist,” said J. David Ake, AP assistant chief of bureau for photography in Washington. “Many of his images have stood the test of time and are now icons in our collective memory. He was arguably during his Washington tenure, the AP’s most published photographer.”

In interviews with AP and PBS, Edmonds offered recollections of his fascinating career and the 1981 assassination attempt on President Ronald Reagan — a split-second that he captured and that earned him a Pulitzer Prize.

“I have had one of the most fantastic jobs in the world,” Edmonds told colleagues in an email upon his retirement from AP after 28 years. “It has allowed me to work with some of the greatest journalists in the world and to make images of some of the biggest events in the last thirty years. I hope that in some small way, I have helped the Associated Press maintain its prominence as the number-one news organization.”

Video journalist hightails it to the heart of disaster in Texas

With quick thinking and immediate action, an AP video journalist beat even the first responders to the scene of a disaster in West, Texas. AP Managing Editor for State News Kristin Gazlay explains:

Dallas video journalist John Mone got a telephone call from a friend in the small town of West, Texas, whose house had just been shaking. He checked Twitter, saw reports that a fertilizer plant had exploded and called the Dallas desk. “Go,” editors told him. So he went.

John_Mone

John Mone

Because he was so quick to get on the road, he was able to get to the heart of the disaster, gaining access to first responders, witnesses and triage tents before authorities were able to cordon off the area. Austin-based legislative relief staffer Michael Brick wasn’t far behind, and Lubbock correspondent Betsy Blaney worked the phones.

Mone hightailed it down Interstate 35 fully expecting to be detoured to clear the way for response units. As he approached West, encountering the acrid smell of ammonia in the air, he was directed away from the blast site and to a triage center where all the witnesses were gathered –- and access to them had not yet been locked down.

He hit the record button on his video camera and didn’t stop rolling. He located people waiting for word on the injured, eyewitnesses wandering around in a daze and someone who had captured iPhone video of the explosion. Later, when police began to block off the area, he sneaked down a side road on foot with his camera, walked a mile and was able to film damaged homes.

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This Thursday, April 18, 2013, aerial photo shows the remains of a nursing home, left, apartment complex, center, and fertilizer plant, right, destroyed by an explosion in West, Texas. (AP Photo/Tony Gutierrez)

Mone shared his interviews with desk editors putting together the mainbar, and shared a byline with Brick.

See his video here: http://www.youtube.com/watch?v=4RqnLR-ZWGU

Read the story here: http://www.bostonglobe.com/2013/04/17/texas-fertilizer-plant-blast-injures-dozens/ytYc2CZkcuF8XJjqe6AFLO/story.html

The video of his witness interview was used 1,000 times by AP clients and, overall, video filed by Mone was taken by 2,600 times clients internationally. ABC News regularly used AP video in its updates.

For helping ensure the AP owned the story of the fertilizer explosion in a way no other news organization could match, Mone wins this week’s $300 Best of the States prize.